Say Goodbye To Moshpits, There’s Now “Safe Spaces” Instead…

redrumloa

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I can only laugh and shake my head. Their assumption that "only straight men" like mosh pits is laughable. In the local scene here the crowds are getting closer to 60/40 men & women, and the mosh pits are probably nearing 70/30 men to women. Gay/straight is impossible to put a number on, but metal is probably the most accepting of any genre, but without pretense.

Say Goodbye To Moshpits, There’s Now “Safe Spaces” Instead…

According to an article that popped up on The Guardian today, writer Hannah Ewens argues that moshpits will soon be no more and instead bands are opting to ban them and introduce instead “safe spaces” in order to make gigs less intimidating for female fans.

“In hardcore and metal scenes, a lively moshpit is still the real indicator of a successful show. But rock has been changing over the past couple of years – notably by listening to women within its factions. Punk has long claimed to be about community while, at the same time, managing to marginalise minorities. Yet the scene does now seem to be actually changing. DIY punk groups such as PWR BTTM, Diet Cig and Adult Mom have introduced safe spaces at their shows – and moshpits have often been the first casualties.”

Yet whilst her argument might be supported by these DIY punk groups, she argues that the majority of defenders of the moshpit are in fact “usually straight men.” “Most women I know who go to shows are either agnostic or hate them. Yet, the majority of rock bands want moshpits to stay.”


Translated - SJW beta males scared of something they don't understand.
 


Utilizing Critical Realism in Empirical Gender Research: The Case of Boys and the Reproduction of Male Dominance within Popular Music Life

Abstract
Popular music life is permeated by a quantitative form of male dominance, and has been for several decades. Based on a recent study this article engages with the reproduction of said male dominance by attempting to understand boys’ approaches to popular music and musicians. In particular, by making use of an interdisciplinary explanatory feminist theory the article seeks to show that interacting mechanisms at different levels make the adoption of a so-called ‘identificatory’ approach attainable for boys. The potential effect of their adoption of this approach is that male dominance within popular music life is reproduced. In addition to this, however, a more general aim of this article is to illustrate the ways in which critical realism can inform empirical gender research, especially in terms of the postulation of explanatory mechanisms.
 
Translated - SJW beta males scared of something they don't understand.

On the contrary, they absolutely understand. They merely want to control it in such a way that they are the ones that become the top of the food chain after their "reforms".

This form of entryism is being firmly rejected by the various metal communities thankfully - it turns out that after decades of being attacked by right wing authoritarians, they have become largely immune to the same crap being thrown at them by left wing authoritarians.
 
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